Birth of a Supercell White Noise MP3 Download

Birth of a Supercell

Birth of a Supercell White Noise MP3     

Duration: 65 minutes 7 seconds, Size: 89.4 MB.

A most acoustically serendipitous happenstance as it may be, this fabulous chance recording was chronicled right on the spur of pure tragedy — I honestly had not foreseen recording this magnificent auditory spectacle of mother nature on the steps of my friend’s porch during the series of severe storms on the dreaded afternoon of August 19th, 2005.

Honestly. I mean, we were discussing politics and homemade chicken pot pie in the dining room while simultaneously engorging ourselves with homemade chicken pot pie. We certainly weren’t discussing torrential windstorms the size of Angelina Jolie’s upper lip.

That’s why you carry your portable field recording gear with you wherever you go no matter what, homeslice.

Having been armed with a matched stereo pair of DPA 4060-BMs clipped onto my hoodie (touching each ear for quasi-binaural imaging), a PA-24NJ battery mic preamp, and a Sony PCM-M1 DAT, I captured the complete sonic birth, early incursion and epochal cortex of a supercell storm.

The Toronto Supercell storm struck at 12:30pm as part of the Southern Ontario Tornado Outbreak of 2005, which later spawned two F2 strength tornadoes, produced winds of well over 100km/h, golf ball sized hail, extensively flooded more than half of the Greater Toronto Area, and completely laid to waste Finch Avenue near Sentinel Road in North York with damages in excess of $10 million CAD.

Everyone was inside their homes in quiet apprehension except for me. The winds were galvanizing — had I used my tripod or HRTF baffle to record this, my gear would’ve easily been swept away as supercell fodder in one succinct blast of wind. Thus, I sat, I meditated — and I reveled — in this profusely awesome auditive exhibit of nature’s unrelenting power.

Birth of a Supercell is a non-looped natural soundscape composed of an hour-long on-location digital stereo quasi-binaural field recording. This recording technique produces a three-dimensional audio image when listening with earphones or headphones. Contains no sounds of birds, animals, people or voices. Bitrate encoded at 192 kbps for finest audio reproduction.

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