White Noise: reverberant
All MP3s under reverberant:
End of the Cavern
Large Hadron Cuddler
Duration: 65 minutes 05 seconds, Size: 89.3 MB.
Far beyond the hectic concrete jungle of modern life there exists a parallel reality, an undiscovered world where you can still see and hear things in their purest and most innocent forms.
This field recording situated at the end of a cavern is as primal as it gets. Listen and swathe yourself in melancholy as you experience a private world perhaps as old as human consciousness itself where the most primeval origin and essence of human personal security remains preserved.
Chill out and relax to the low, slow, halcyon breaths of the Atlantic as they resonate, naturally lulled and muffled, into the hollow undulating tunnel walls of nature’s own reverberator — the deep claustral interior of a secluded beachfront cavern I found off the coast of Lydstep Beach.
The cavern is shaped like the human ear canal which collects sounds naturally — the sound of the tide sweeping against the granite walls of the cavern all amalgamate and bounce towards the center where my mikes are carefully positioned.
A deep, smooth, dark ambient texture of prenatal, primordial memories… where the only porn that existed in our time was no more grandiose than horribly malproportioned phalluses on the walls of such most humble abodes.
End of the Cavern is a non-looped natural soundscape composed of an hour-long digital stereo omnidirectional HRTF field recording. This recording technique produces a three-dimensional audio image when listening with earphones or headphones. Bitrate encoded at 192 kbps for finest audio reproduction.
Duration: 65 minutes 46 seconds, Size: 90.3 MB.
It is the year 2035 and scientists are currently constructing the Large Hadron Cuddler as a surrogate to its haplessly failed predecessor, the Large Hadron Collider.
Though dauntlessly so as with previous experiments in the never-ending search for the elusive Higgs boson, particle physicists had presumed vacuously that the brash colliding of opposing particle beams would serve as the ultimate vehicle in the discovery of its existence.
However, recent groundbreaking studies have gleaned towards a brilliant new theory suggesting a different, rather peculiar ordinance to producing the inscrutable mass-endowing Higgs: particles must not tussle and collide, but rather, be subjected to a far less forbidding assay — they must gently caress and cuddle.
Members of CERN’s technical division are hard at work 100 meters below the surface of the earth, diligently installing the superconducting quadrupole and cyrodipole electromagnets and pumping them full of liquid helium cooled to just a tad below 2 kelvin required for mass operational cuddling. Amongst the muted roar of underground turbines spinning at nine thousand RPMs are distant, intermittent, unencroaching mumblings from the control network that can be heard through the public address system via the overhead intercom.
A hauntingly soothing sound litany of moderate fluctuations in temporal underground space, infected by the occasional far from equilibrium interventions to diversify the stasis — reverberant rubbings, vesperal sighs, microcollisions, metallic asperities, elemental debris and tiny fragments elegantly recombine into a wordless score, perfect as an aural backdrop for writing your next thesis on how you shall unravel the mysteries of the universe’s sexy exciting hidden dimensions.
Our ears are caressed by resonant acoustical poetry as we take a virtual vacation into the quietly hectic construction site of this handsome hyperparticle supercuddler from the not too distant future. Best for masking rumbling noises and medium-level distractions.
Duration: 62 minutes 40 seconds, Size: 86.0 MB.
Although there are no audibly discernible voices to be heard in this recording, this sexy exciting soundscape of familiar swashing fun has me plashing and pattering back and forth across a long narrow lap pool in a continuously oscillating rhapsody of binaurally recorded freestyle strokes, soft slushing backstrokes, velvety blurping breaststrokes and short recuperative interludes.
The floor is peppered with light straying dabs and beads of water and spray. The overhead air vents can be heard whooshing and rumbling with undulating sibilance, and an occasional shower sprinkles.
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- Karen Ramirez BFA